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Stulta Auricula

A Ceremony of Carols "Procession" Benjamin Britten

Stulta Auricula

1:10	Est. Play Time
17	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Arpa	15	23	1	6	100%
	17	21	1	6	100%
Soprano	13	5	2	4	100%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Arpa	15	23	1	6	100%
	17	21	1	6	100%
Soprano	13	5	2	4	100%

A Ceremony of Carols "11 Recession" Benjamin Britten

Stulta Auricula

1:10	Est. Play Time
17	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Arpa	15	23	1	6	100%
	17	21	1	6	100%
Soprano	13	5	2	4	100%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Arpa	15	23	1	6	100%
	17	21	1	6	100%
Soprano	13	5	2	4	100%

Prado verde y florido (Francisco Guerrero)

Stulta Auricula

1:18	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	10	0	2	6	100%
Soprano	9	0	1	6	97%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	10	2	6	100%
Soprano	9	1	6	97%
Alto	11	1	6	90%
Barítono	11	1	5	87%

ALLELUIA (Henry Purcell)

Stulta Auricula

1:04	Est. Play Time
28	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	10	0	2	2	100%
Barítono	12	0	1	2	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	10	2	2	100%
Barítono	12	1	2	100%
Soprano	10	2	4	100%
Tenor	9	2	4	100%

Agnus Dei

Stulta Auricula

1:08	Est. Play Time
20	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	8	0	1	6	100%
Bajo	12	0	2	5	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	8	1	6	100%
Bajo	12	2	5	100%
Tenor	7	1	5	95%
Soprano	10	2	6	85%

Madre Nuestra

Stulta Auricula

1:24	Est. Play Time
34	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	14	6	2	8	100%
	15	10	2	7	100%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	14	6	2	8	100%
	15	10	2	7	100%
Flute	18	0	3	8	100%
Soprano Contralto	8	10	0	6	81%
Tenor Baritone	10	7	1	6	47%

Vinea mea electa (G. P. Palestrina)

Stulta Auricula

1:10	Est. Play Time
24	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	9	0	2	6	100%
Barítono	8	0	1	6	92%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	9	2	6	100%
Barítono	8	1	6	92%
Soprano	8	2	5	88%
Tenor	9	1	5	88%

La Virgen sueña caminos

Stulta Auricula

1:26	Est. Play Time
43	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Clarinete en Si♭	11	0	1	6	100%
Fagot	15	0	0	6	100%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Clarinete en Si♭	11	0	1	6	100%
Fagot	15	0	0	6	100%
Oboe	9	0	1	6	100%
Violín	15	0	0	5	100%
Violonchelo	8	0	0	2	100%
Flauta	12	0	0	6	98%
Viola	12	0	2	5	98%
Violín II	10	0	0	6	98%
Soprano	6	0	0	6	72%
Tenor	8	8	0	6	33%

Gratias agimus (Hans Leo Hassler)

Stulta Auricula

1:24	Est. Play Time
23	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	7	0	2	6	100%
Barítono	7	0	0	8	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	7	2	6	100%
Barítono	7	0	8	100%
Soprano	7	2	7	100%
Tenor	9	1	7	100%

Jesus esta conmigo

Stulta Auricula

1:20	Est. Play Time
64	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	11	12	2	5	98%
	6	1	0	3	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	11	12	2	5	98%
	6	1	0	3	100%
Flauta	10	1	1	5	59%
Voice	10	0	2	5	52%

"El viñador" (Cesáreo Gabaráin)

Stulta Auricula

1:25	Est. Play Time
59	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	11	21	0	4	100%
	16	9	3	3	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	11	21	0	4	100%
	16	9	3	3	100%
Bajo eléctrico	12	0	2	3	100%
Soprano	8	0	0	3	89%
Alto	6	0	0	3	67%
Barítono	10	1	2	3	67%
Flauta	12	9	0	4	56%
Tenor	5	0	0	3	56%

"Cancion de juventud" (Cesáreo Gabaráin)

Stulta Auricula

1:19	Est. Play Time
30	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	11	15	2	3	100%
	12	7	0	3	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	11	15	2	3	100%
	12	7	0	3	100%
Alto	11	0	2	6	85%
Soprano	9	0	0	6	85%
Bajo eléctrico	11	0	0	6	76%
Flauta	12	0	0	5	76%
Barítono	12	1	0	6	70%
Tenor	11	0	0	6	67%

"Iglesia somos" (Cesáreo Gabaráin)

Stulta Auricula

1:01	Est. Play Time
24	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	14	6	2	5	100%
	11	7	1	3	96%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	14	6	2	5	100%
	11	7	1	3	96%
Bajo eléctrico	11	0	0	3	100%
Alto	9	0	0	4	58%
Soprano	11	0	0	4	58%
Barítono	12	0	0	5	46%
Tenor	9	0	0	4	46%
Flauta	11	0	0	4	38%

"Vienen con alegría" Cesáreo Gabaráin

Stulta Auricula

1:24	Est. Play Time
44	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	12	3	2	6	100%
	18	4	1	4	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	12	3	2	6	100%
	18	4	1	4	100%
Guitarra clásica	18	15	3	3	100%
Bajo eléctrico	12	0	0	5	98%
Alto	8	0	0	6	80%
Soprano	8	0	1	6	80%
Flauta	17	8	1	7	71%
Barítono	10	0	0	5	45%
Tenor	8	0	1	6	45%

"Dios est aqui" (Javier Gacías)

Stulta Auricula

1:22	Est. Play Time
31	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	12	7	1	4	100%
	14	6	2	2	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	12	7	1	4	100%
	14	6	2	2	100%
Corno inglés	8	0	0	4	97%
Bajo eléctrico	9	0	2	4	87%
Alto	8	0	0	7	77%
Soprano	6	0	0	7	77%
Barítono	9	0	1	5	45%
Tenor	10	0	0	5	45%
Flauta	10	0	0	5	32%